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Style Presets

Presets control the visual style of your rendered output — pacing, transitions, color grading, and effects. They do NOT control content selection (that’s the driver’s job). Think of presets as “how it looks” and drivers as “what it shows.”

Balanced impacts with subtle zoom punch. Professional default.

  • Tempo: 1× (one cut per beat)
  • Transitions: Dissolve
  • Key FX: Subtle zoom punch (4%), light CA on beats, neutral_clean grading, subtle handheld drift, sharpen
  • Color: +12 contrast, +8 saturation
  • Clip hold: 1–6 seconds

Surgical beat-punches, strobe stutter, motion streaks. Gritty phonk with frame-repeat and optical-flow blur.

  • Tempo: 2× (half-beat cuts — twice as many edits)
  • Transitions: Hard cuts (additive flash on impacts)
  • Key FX: 6% impact zoom (bass-driven, downbeat-gated), fast snap-back, strong CA (hi-band reactive), speed ramps, bleach_bypass grading, glitch on beats (hi-band), beat desaturation, stutter strobe (hi-band), optical-flow motion streaks
  • Color: +40 contrast, −15 saturation (desaturated punch)
  • Clip hold: 0.5–2 seconds

Warm film grading, gentle bloom, bass-reactive blur pulse, organic light leaks.

  • Tempo: 0.25× (one cut every 4 beats)
  • Transitions: Long dissolves
  • Key FX: Continuous slow push (1.2%), warm_film grading, bloom (stronger: 0.25, wider radius), golden light leaks (mid-band reactive), edge blur (beat-reactive), handheld drift, bass-reactive blur pulse (bass-band), subtle warm color drift, saturation boost
  • Color: +15 contrast, +25 saturation, +8 brightness
  • Clip hold: 3–10 seconds

Hard cuts only. No color grading, no effects. Pure footage.

  • Tempo: 1× (one cut per beat)
  • Transitions: Hard cuts only
  • Key FX: None — completely clean
  • Color: No grading
  • Clip hold: 1–6 seconds

Hollywood cinematic. Halation, anamorphic blue streaks, depth parallax, focus breathing, teal-and-orange DI.

  • Tempo: 1× (one cut per beat)
  • Transitions: Luma-matte (brightness-based reveal)
  • Key FX: Continuous slow push (1.5%), teal_and_orange grading, edge blur vignette, bloom (mid-band reactive), subtle handheld drift, speed ramps, film halation (mid-band reactive), anamorphic lens streaks, depth parallax (MiDaS), focus breathing, bass-driven camera punch (downbeat-gated)
  • Color: +30 contrast, +15 saturation, −8 brightness, letterbox bars
  • Clip hold: 2–8 seconds

Cinematic trailer. Slow buildup → explosive climax with halation, speed freeze, impact frames.

  • Tempo: 0.5× (one cut every 2 beats — deliberate pacing)
  • Transitions: Luma-matte with impact flash on drops
  • Key FX: Impact frames (downbeat-gated), speed ramps, teal_and_orange grading, cold blue wash, beat desaturation, strong CA (hi-band), halation (mid-band), speed freeze
  • Color: +35 contrast, +8 saturation, −10 brightness, letterbox bars
  • Clip hold: 2–10 seconds
  • Tier bias: −0.20 (favors calmer footage for dramatic buildup)

Hyper-kinetic AMV. Ghost echo trails, speed freeze, manga panels, zoom whip, optical-flow motion streaks.

  • Tempo: 1× (one cut per beat)
  • Transitions: Additive flash on impacts
  • Key FX: Impact frames (downbeat-gated), bleach_bypass grading, radial bursts (white), sharpen, edge blur, speed ramps, aggressive zoom (8% bass-driven), CA (hi-band), echo trails, speed freeze, manga panels (downbeat-gated), zoom whip, motion streaks
  • Color: +50 contrast, −25 saturation (gritty, desaturated look)
  • Clip hold: 0.8–4 seconds
  • Tier bias: +0.10 (slightly favors higher energy)

Trance state. Edge blur, color wash, subliminal text, psychedelic cycling.

  • Tempo: 0.5× (one cut every 2 beats)
  • Transitions: Long dissolves
  • Key FX: Edge blur, color wash, color cycling, subliminal text, continuous slow push (2%), speed ramps
  • Color: +20 contrast, +35 saturation, +5 brightness
  • Clip hold: 3–12 seconds
  • Tier bias: −0.10 (slightly calmer)

Authentic VHS. Tracking wobble, chroma bleed, REC timecode, CRT scanlines, phosphor bloom.

  • Tempo: 1× (one cut per beat)
  • Transitions: Hard cuts
  • Key FX: CRT scanlines, warm_film grading, warm amber wash, edge blur, bloom (CRT phosphor glow), light CA fringing, VHS tracking wobble, chroma bleed, timecode overlay, posterized time (15fps choppy playback)
  • Color: +25 contrast, −10 saturation, +5 brightness
  • Clip hold: 1.5–6 seconds

In Studio Mode, the preset editor (in the Advanced tab) lets you create and save custom presets. They’re stored as JSON files in the presets/ directory.

Create a .json file in the presets/ folder:

{
"description": "My custom style",
"pacing": {
"tempo_multiplier": 1.0,
"phase_thresholds": { "curves": 0.30, "hook": 0.60 }
},
"fx": {
"motion_blur_strength": 0.0,
"impact_zoom": 0.04,
"impact_decay": 12.0,
"chromatic_aberration_impact": 1.0,
"speed_ramp_factor": 0.0,
"continuous_push": 0.0,
"transition_type": "dissolve",
"transition_duration": 0.3,
"impact_flash_strength": 0.0,
"impact_flash_decay": 0.0
},
"dj": {
"clip_hold_min": 1.0,
"clip_hold_max": 6.0,
"tier_bias": 0.0,
"fx": {
"contrast": 10,
"saturation": 5,
"brightness": 0
}
}
}

Custom presets are auto-loaded on startup and appear in all preset dropdowns.

Rendered output includes the preset name to prevent overwrites:

output_clips/output_AGGRESSIVE.mp4
output_clips/output_PRESTIGE.mp4